Behind every great goy, is a Jew writing all of their best one-liners.

Jews make up about 0.2% of the world’s population yet they have always been a loud (emphasis on the loud) and prominent voice in film, television, music, and comedy. 

The next eight days are Hanukkah, which is not the most important Jewish holiday, but we do get presents. For each night of Hanukkah, I will share one Jewish character who is important and represents some important aspect of Judaism and Jewish culture. For the eighth and final night of Hanukkah, let’s talk about the ambiguous, honorary Jews:

Danny Castellano (The Mindy Project): Dr. Castellano is not Jewish, but rather an Italian from Staten Island. However, his face and general attitude (like Woody Allen with a wrestling obsession), make it easy to mistake him for a member of the tribe.

Walter Sobchak (The Big Lebowski): Walter is a convert who has stuck with Judaism long after his Jewish wife left him. Yet, he remains Shomer Shabbos, and takes it his devotion so far that he won’t even roll on the sabbath. This is just one of the many bizarre aspects of a beautifully bizarre film.

Cher Horowitz (Clueless): She has the last name and the “I’ll negotiate until I get exactly what I want” attitude. Plus, her father is a lawyer, but let’s not resort to ugly stereotypes.

Paulie Bleeker (Juno): Minnesota has a lot more Jews than you’d expect from a freezing, landlocked Midwestern state. Yet, Paulie has a poster in his room that is covered in Hebrew. It is never explained. It remains one of the great mysteries of Jason Reitman’s career, besides the one about why nobody respects Young Adult.

Benjamin Braddock (The Graduate): It’s Dustin Hoffman. I’ll just let him have it.

Happy Hanukkah! Here’s an episode I recorded back in November that never made it to air until now. I discuss why we should stop talking about Golden Ages, check in with the cast of Happy Endings, and review Zach Braff’s very Jewish, very irritating, Wish I Was Here.

Behind every great goy, is a Jew writing all of their best one-liners.

Jews make up about 0.2% of the world’s population yet they have always been a loud (emphasis on the loud) and prominent voice in film, television, music, and comedy. 

The next eight days are Hanukkah, which is not the most important Jewish holiday, but we do get presents. For each night of Hanukkah, I will share one Jewish character who is important and represents some important aspect of Judaism and Jewish culture. For the fifth night of Hanukkah, let’s talk about Ben Stone of Knocked Up:

So…Seth Rogen is having a rough week. Have you seen this? Have you heard about this? Before he unintentionally turned America into a South Park episode, Rogen was the most lovable stoner of the 21st century. Hell, as soon as he comes out of hiding he can return to that coveted position.

Rogen has been in show business since he was a teenager, but he never achieved great success until adulthood. Maybe that is why he never became a heroin addict. Lesson learned: that is why you don’t let kids be successful. Anyway, if you ever take a comedy writing class, your teacher will tell you to create a character that’s you but to the extreme. That is exactly what Seth Rogen did with Ben Stone in Knocked Up. Sure, Seth and Ben are both Jewish stoners. However, while Ben is the kind of stoner who does as little as possible, Seth is the kind of stoner that would move from his home country at age 16 to a foreign land called Hollywood to pursue a career in entertainment.

Rogen is a proud Jew, and that is only one of the many reasons why he is one of my personal heroes. His sense of Jewish identity rubs off on Ben. Just to clarify, Knocked Up is not a Jewish movie, it just has a Jewish character in it. There is a difference. Ben Stone is special because he is a different kind of Jewish nerd. He plays video games and love movies but doesn’t have that old school kind of neuroticism. He talks with his friends about how Munich was the first movie to show Jews kicking ass. In another scene, he describes the product that he uses in his hair as “Jew.” Here is a guy who manages to be self-deprecating without being self-hating.

There is a rift between those Jews who talk about the fact that they’re Jewish all the time, and those who think they shouldn’t talk about it because it will make them lose cool points. Rogen has ushered in a new kind of Jewish cool. You can be just like Ben Stone: a wise-cracking idiot who isn’t always sniffling and adjusting his glasses.

Behind every great goy, is a Jew writing all of their best one-liners.

Jews make up about 0.2% of the world’s population yet they have always been a loud (emphasis on the loud) and prominent voice in film, television, music, and comedy. 

The next eight days are Hanukkah, which is not the most important Jewish holiday, but we do get presents. For each night of Hanukkah, I will share one Jewish character who is important and represents some important aspect of Judaism and Jewish culture. For the fourth night of Hanukkah, let’s talk about The Pickles Family of Rugrats:

Hang on to your butts, because it’s time for some pandering 90s nostalgia. Did you hear that? 90S NOSTALGIA. Put that in your SEO and smoke it.

As one of those dreaded children of the 90s (sort of? I vaguely remember seeing A Goofy Movie in theaters), I grew up during the heyday of Nickelodeon cartoons. Shows like Rocko’s Modern Life and Hey Arnold were well above my maturity level. However, we deserved these shows. We were smart enough and brave enough for them. After all, this was America before it started canceling movies.

Anyway, kids shows can teach a lot of valuable lessons that don’t actually make sense until much later in life. There is something special about Rugrats, a cartoon about rebellious talking babies, that used to strike such a cord with me. In Rugrats, the Pickles family was Jewish. Well they were half-Jewish. “Just the good half,” as my man Henry Hill would say.

While Judaism was not a typical topic of conversation in the Pickles household, the show brought it up at all the right times. This came in the form of two very memorable holiday specials: A Rugrats Passover and A Rugrats Chanukah. I like to complain that there aren’t nearly enough Hanukkah stories out there. While Hanukkah isn’t that important of a holiday, it can still feel lonely to be a Jew on Christmas, so a little consolation would be nice. You see, there are a lot of Jews working in Hollywood, as Mel Gibson might tell you. Unfortunately, a lot of those Jews aren’t telling very Jewish stories. That is why it was so nice to see how generous Rugrats was with its Jewishness.

Not to mention, while Hanukkah is a pretty simple holiday, a lot of non-Jews still don’t seem to completely understand it. “So like, if it’s about candles… then why do you get presents?” I don’t know, your holiday is about the birth of Jesus, yet you decorate trees. All holiday traditions are a little bit weird. That is what makes them so special. It is the slightest bit comforting that A Rugrats Chanukah was the first exposure to both the holiday and the religion for many people. But it also gave a lot of Jewish kids a chance to see their life on television. With this and Eight Crazy Nights, it seems like only cartoons know how to handle Hanukkah. Step it up, Hollywood, I want to see Home for the Challah Days already.

Behind every great goy, is a Jew writing all of their best one-liners.

Jews make up about 0.2% of the world’s population yet they have always been a loud (emphasis on the loud) and prominent voice in film, television, music, and comedy. 

The next eight days are Hanukkah, which is not the most important Jewish holiday, but we do get presents. For each night of Hanukkah, I will share one Jewish character who is important and represents some important aspect of Judaism and Jewish culture. For the third night of Hanukkah, let’s talk about Neal Schweiber of Freaks and Geeks:

Because Jews constitute a very small fraction of this earth (0.2% of the world’s population), there is a tendency to always feel like an outsider, even if you are at the top of the world. That is probably another place where Jews developed their sense of humor from: if everybody is going to ostracize us, then we might as well make fun of you.

I can think of no better Jew that fits this description than Neal Schweiber of Freaks and Geeks. Neal seems like one of the only (if not the only) Jewish kid at this Michigan high school. You know that he’s Jewish because he will tell you that he is at any given chance. “Friday night…always good for some Sabbath,” he tells Lindsay, as she talks about playing Black Sabbath at her upcoming party, “cause you know, Friday, it’s the Sabbath…for the Jews,” for which he lets out a giant shrug. It is one of my favorite moments in the show’s very short run, and he says it in such a way that he expects her to understand it. Jews tend to forget that not everybody understands our customs.

Neal is a hybrid of Groucho Marx and Woody Allen, but with much worse skin. He wants to be both the neurotic and the wisecracker. Usually, he is better at the former than the latter. Neal gets picked on a lot and most of the time, he deserves it. None of the attacks are ever anti-Semitic, but you get the feeling that he looks and acts a little than everyone else and to them, that’s pretty off-putting.

But it’s hard not to love Neal. He tries just a little bit too hard sometimes. I like that, though. I can relate to that. He will probably grow up to be a middling comedian who does warm up for a late night show. That’s the best any weird Jewish kid who isn’t in love with sports can ever hope for.

Can you spot all the quirky things about this photo? Image via Hollywood Reporter

Zach Braff has only directed two films in the past ten years, yet he has somehow managed to piss everybody off. Maybe it’s time he gets out of Hollywood for a bit. Maybe he’s getting too much sun, and it’s time to go back and smell the fresh Turnpike air in New Jersey.

Braff’s latest film, Wish I Was Here, plays like a training montage of indie cliches. It’s like they just wanted to point their camera at a bunch of objects for 106 minutes and yell, “look how quirky this is! Do you feel the quirks yet? Do you?!” I could make a list of every little cliche, but that could fill up an entire review.

If you want your character to be at least remotely likable, maybe it’s a bad idea to introduce them screaming at a dog. That’s how Braff decides to introduce Aidan Bloom, a part-time actor, part-time Secular Jew stuck in Hollywood limbo. He hasn’t gotten an acting gig in a long time, as everybody likes to remind him, and the only thing holding him together is his half-Jewish wife (Kate Hudson), who slaves away at a miserable day job. We know it’s miserable because her office is shot with a green tint. Meanwhile, Aidan’s father (Mandy Patinkin) is paying to send the kids to Jewish school, but he is stricken with cancer and can no longer pay for it.

By the way, did I mention that there were Jews involved yet? I feel like Zach Braff just grabbed a “Jews for Dummies” book and wrote down whatever words he could remember. A dog named Kugel? Haha good one! I really wanted to like Wish I Was Here, because I always feel like sticking up for the films with overtly Jewish themes. However, Wish I Was Here manages to take all of the mystique surrounding Hashem and turns it into something skin deep. Think of what would happen if A Serious Man was made with the intent of being a mainstream hit.

Now, what I really loved about a film like A Serious Man is that I saw aspects of my own life and upbringing in it. Remember, this is a film that’s set in Minnesota in 1967, so it couldn’t be any farther from my own life. Instead, Wish I Was Here relies on the Wise Rabbi trope too heavily. Plus, there is a scene where Aidan reads a poem that he claims was his mother’s favorite. It is an excerpt from T.S. Eliot’s Prufrock. Besides being a brilliant poet, Eliot was also an infamous anti-Semite. If you’ve ever had Jewish parents before, then you’ll know that any artist with at least the slightest whiff of Jew-hatin’ is not to be forgiven (mainly Mel Gibson).

The point is that Wish I Was Here is nowhere near as authentic as it claims to be. After his daughter shaves off her own hair, Aidan takes her to buy a wig that’s “unique and amazing like you.” He never, you know, talks to the kid and tells her it’s not the end of the world. Instead, she’s treated like some kind of circus freak just because she decided to shave her hair off. The only person here who seems to have a real reaction to anything is Mandy Patinkin, who truly sells every single line he is given. Josh Gad is also a scene stealer here. And poor Kate Hudson. She deserves a comeback where she doesn’t have to repeat the phrase “half-boner” as much as she does here.

I found myself yelling “shut up!” at the screen multiple times. Braff expects us to be moved just because there is sickness and just because there is triumph of the human spirit. You don’t have to force it so much, especially when Mandy Patinkin could have just worn a bunch of wigs and played every single character. Wish I Was Here has a few, truly nice laughs, and a few emotional payoffs that work but overall, it feels like emotional manipulation gone awry. Just when you think it has come to an original revelation, it contains an ocean metaphor. Wish I Was Here could have been a lot smarter if it didn’t think its audience was so dumb.

Brain Farts From The Edge

• Seriously, that’s the best B-story you could get? A sexual harassment case that never elevates? Like I said, Kate Hudson deserves a better comeback.
• It seems like Leslie David Baker (a.k.a. Stanley Hudson from The Office) is doomed to tiny cameos for the rest of his life. Bummer.
• If you’re Quentin Tarantino or Armando Iannucci, swearing can be an art form.
• I could see Sam Rockwell in Braff’s role.
• Speaking of Sam Rockwell, remember that part in Seven Psychopaths where he tells Colin Farrell that his screenplay should abandon the story and all the characters just go to the desert and chill? And then that happens in the movie of Seven Psychopaths and it’s a disaster because a movie can’t end that way? Well, that same thing happens in Wish I Was Here. Sudden, contemplative Joshua Tree retreats don’t work, bro.
• That part with the jar of contact lenses? I like you, Zach Braff, but when did your writing devolve to eighth grade visual metaphors?
• One last thing: I don’t care what any of you say, I’m going to continue loving Garden State. I haven’t watched it in a while, but I hope it holds up.
• Credit where credit is due: Braff attempted to take a complicated idea and pushed it into the mainstream. It is a creative risk for sure. I guess America just isn’t ready for Rabbis on segways.