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		<title>Analog This: The 10 Best TV Shows of 2014</title>
		<link>http://reeldealblog.com/2014/12/analog-this-the-10-best-tv-shows-of-2014/</link>
		<comments>http://reeldealblog.com/2014/12/analog-this-the-10-best-tv-shows-of-2014/#comments</comments>
		<pubDate>Tue, 09 Dec 2014 17:01:49 +0000</pubDate>
		<dc:creator><![CDATA[ian0592]]></dc:creator>
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		<guid isPermaLink="false">http://reeldealblog.com/?p=2386</guid>
		<description><![CDATA[I swear if somebody tells me that it&#8217;s the Golden Age of Television one more time&#8230; Look, I&#8217;m not saying that this isn&#8217;t an amazing time for TV. All I am saying is that labeling one year as a golden age sets you up for future failure and disappointment. For instance, people who label the [...]]]></description>
				<content:encoded><![CDATA[<div id="attachment_2433" style="width: 565px" class="wp-caption aligncenter"><a href="http://reeldealblog.com/wp-content/uploads/2014/12/episode-12-feature.png"><img class="wp-image-2433" src="http://reeldealblog.com/wp-content/uploads/2014/12/episode-12-feature.png" alt="episode-12-feature" width="555" height="345" /></a><p class="wp-caption-text">Image via Reddit</p></div>
<p>I swear if somebody tells me that it&#8217;s the Golden Age of Television one more time&#8230;</p>
<p>Look, I&#8217;m not saying that this isn&#8217;t an amazing time for TV. All I am saying is that labeling one year as a golden age sets you up for future failure and disappointment. For instance, people who label the 1930s and 40s as the golden age of film completely disregard the amazing work done in later years. Plus, <em>Gone with the Wind</em> is sort of racist and <em>Citizen Kane</em> is kind of boring.</p>
<p>Earlier this year, some critics said the golden age of television was over. Really? Then how do you account for the fact that over half my list is freshman shows? As everything migrates towards cable and the web, TV is changing and currently on a curve of exponential growth. This is my first TV top ten list, because this is the first year that I feel like I watched enough shows that I could list ten and have a few honorary mentions.</p>
<p>It is amazing how diverse this year&#8217;s TV selections are. My list contains fantasy lands, New York during multiple different time periods, and a lot of talking animals. I don&#8217;t want to say that television is currently better than film, but I understand what the whack jobs who say that are talking about. Without further adieu, here is my list of the ten best shows of 2014:</p>
<p><span id="more-2386"></span></p>
<p><span style="line-height: 1.714285714; font-size: 1rem;">10. </span><strong style="line-height: 1.714285714; font-size: 1rem;">Last Week Tonight with John Oliver</strong><span style="line-height: 1.714285714; font-size: 1rem;"> In an incredible hot streak that lasted from May through November, </span><em style="line-height: 1.714285714; font-size: 1rem;">Last Week Tonight</em><span style="line-height: 1.714285714; font-size: 1rem;"> provided the sharpest political satire on television. John Oliver took on everything from dictators to FIFA and managed to shed light on a lot of stories that actual journalists were doing a terrible job reporting. Oliver&#8217;s greatest gift is that he can take complex issues (net neutrality, civil forfeiture) and make them both funny and digestible. Oh, and every once in a while space geckos and supreme court justice dogs appear. </span></p>
<p><strong style="line-height: 1.714285714; font-size: 1rem;">Best </strong><strong style="line-height: 1.714285714; font-size: 1rem;">Episode: </strong><span style="line-height: 1.714285714; font-size: 1rem;">Episode #1.6</span></p>
<p style="text-align: center;"><iframe width="625" height="352" src="https://www.youtube.com/embed/DlJEt2KU33I?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>9. <strong>The Knick</strong> While you were busy covering your eyes during every insanely grizzly surgery scene, <em>The Knick </em>was busy closing the divide between film and television. It is an unflinching look at America at the turn of the twentieth century. It&#8217;s a history lesson that never feels like one because it doesn&#8217;t gloss over the squalor and the prejudice. Every episode is directed by Steven Soderbergh; slums, brothels, and ruptured body parts have never looked this pretty.</p>
<p><strong>Best Episode:</strong> Method and Madness</p>
<p style="text-align: center;"><iframe width="625" height="352" src="https://www.youtube.com/embed/LmOrHxziSpI?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>8. <strong>Review</strong> The premise of <em>Review</em> is simple: a man hosts a show and instead of reviewing art or food, he reviews life experiences. At first, this show is about how far this premise can go before going horribly wrong. But then, around episode three, it becomes something else. Andy Daly turns the character of Forrest MacNeil into a sociopath disguised as a nerd. There is something always so wonderfully playful about <em>Review</em>, even as it dives deep into the darkest depths of the human soul.</p>
<p><strong>Best Episode: </strong>Pancakes, Divorce, Pancakes</p>
<p style="text-align: center;"><iframe width="625" height="352" src="https://www.youtube.com/embed/51QBJpiy7CA?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>7. <strong>Game of Thrones</strong> <em>Game of Thrones</em> has reached that level of popularity that makes you want to punch every person who tells you that you have to watch it. Right now, every person in America (including myself), is that person. Epic in scope and scale, <em>Game of Thrones</em> has earned every bit of its popularity. And while splitting adaptations in half never seems to work (see <em>Mockingjay</em>), season four was only half of a book and yet it felt complete. This season felt the need to kill off as many characters as possible. Hey, anything George R.R. Martin can do to give us constant anxiety attacks.</p>
<p><strong>Best Episode: </strong>The Mountain and the Viper</p>
<p style="text-align: left;"><img class="aligncenter" src="http://persephonemagazine.com/wp-content/uploads/2014/05/dragon.gif" alt="" width="492" height="246" /></p>
<p>6. <strong>True Detective</strong> I still have no idea what <em>True Detective</em> is about, and that is precisely the point of it. After months of hype and scrutiny, now is the perfect time to look back and appreciate the sheer beauty and ballsiness of <em>True Detective</em>. It is very easy to get lost in the story, but that is part of the point. While figuring out who the Yellow King is can be fun and all, being just as confused as the main characters are is truly the best way to watch it. <em>True Detective</em> is already an instant classic, with Woody Harrelson and Matthew McConaughey doing the best work of their careers. McConaughey might have won the Oscar earlier this year for <em>Dallas Buyers Club</em>, but his performance as Rust Cohle in <em>True Detective</em> is what he will be remembered for for the rest of his life.</p>
<p><strong>Best Episode: </strong>Who Goes There <img class="aligncenter" src="http://media.giphy.com/media/4Dy1Btpt0qUZa/giphy.gif" alt="" width="444" height="247" /> 5. <strong>Orange is the New Black</strong> Season two of the show that changed Netflix was a vast improvement on a first season that was already very strong. By taking a lot of the focus off of Piper, season two gave us backstories for a lot more prisoners who were just in the background in earlier episodes. We also got to mingle with wardens and security guards much more this season, and we got a larger sense of the history of the prison. It is always nice when a TV show takes time to actually explore the world it inhabits.</p>
<p><strong>Best Episode: </strong>We Have Manners. We&#8217;re Polite.</p>
<p style="text-align: center;"><iframe width="625" height="352" src="https://www.youtube.com/embed/e99SkdcB2UU?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>4. <strong>Kroll Show</strong> Season two showed a much more focused <em>Kroll Show</em>. This is not so much sketch comedy as it is a series of overlapping vignettes. From the Oh, Hello guys to Publizity, Nick Kroll has created a genius comedic world in which reality stars and bouncers are the heroes. Recently, Kroll announced that season three of <em>Kroll Show</em> would be its last. This is a show that has had a vision since day one, and the fact that it has already picked out an expiration date shows how committed it is to the promises it once made. Imagine if <em>The Office</em> or <em>The Simpsons </em>did that. The world would be a better place and there would be no Ebola and stuff.</p>
<p><strong>Best Episode: </strong>Sponsored by Stamps</p>
<p style="text-align: center;"><iframe width="625" height="352" src="https://www.youtube.com/embed/lCDKk2s0pQM?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>3. <strong>Broad City</strong> Finally, a TV show about broke New Yorkers who don&#8217;t live in unrealistically huge apartments. Abbi Jacobson and Ilana Glazer&#8217;s popular web series was adapted into a half hour show by Comedy Central in what is arguably the greatest achievement in the network&#8217;s recent renaissance. <em>Broad City</em> is often described as a female <em>Workaholics</em>. A more accurate comparison is to <em>Louie</em>. While a lot of the humor is broad (that&#8217;s a compliment), <em>Broad City</em> typically borders on surreal. On any given day, you can get your dreams crushed and still do something amazing. <em>Broad City</em> is hilarious, heartfelt, and relatable on so many levels (running to catch a train at Grand Central; trying to get people to come to your art exhibition).</p>
<p><strong>Best Episode:</strong> Destination Wedding</p>
<p style="text-align: center;"><iframe width="625" height="352" src="https://www.youtube.com/embed/tRa7mGpTAg8?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>2. <strong>Fargo</strong> A televised adaptation of a Coen Brothers classic sounds like a bad idea waiting to happen. Hollywood is a town that is filled with bad ideas, but it is good execution that makes all the difference. Less a remake and more a continuation, <em>Fargo</em> flawlessly imitates the voice of the Coen Brothers. It is an acting tour de force for everybody involved (especially Allison Tolman and Colin Hanks). While it is an hour long drama, I am going to go ahead and classify it as a dark comedy. <em>Fargo</em> creates fanboys where you didn&#8217;t know they existed. You know how comic book fans get so psyched whenever a <em>Captain America</em> movie references <em>Agents of S.H.I.E.L.D.</em> or something else in the Marvel universe? That is exactly how I felt whenever <em>Fargo</em> made a reference to <em>A Serious Man</em> or <em>No Country for Old Men</em>. This is brilliant fan fiction for cinephiles.</p>
<p><strong>Best Episode: </strong>Who Shaves the Barber?</p>
<p style="text-align: center;"><iframe width="625" height="352" src="https://www.youtube.com/embed/UMWm03yiGsg?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>1. <strong>Bojack Horseman</strong> I have spent the better part of the past few months trying to convince people to watch <em>Bojack Horseman</em>. A normal reaction I get is, &#8220;I couldn&#8217;t get past episode one.&#8221; To that I say, &#8220;seriously, just be patient.&#8221; <em>Bojack </em>is both everything I have ever wanted from a TV show and everything I thought a TV show like this could never give me. If you haven&#8217;t watched <em>Bojack</em>, it&#8217;s about a washed up 90s sitcom star (Will Arnett), who just so happens to be a talking horse, and his attempt to make a comeback. Think of him as a much more despicable version of Valerie Cherish.</p>
<p>In the world of <em>Bojack Horseman</em>, talking animals co-exist with humans, and nobody questions this. While the animals wear clothes, drive cars, and get married, the tortoise is still slow and the dog still loves to chase the mailman. For years, I have fantasized of an animated show like this. So, watching this show was partially like seeing my dreams come true. The biggest miracle that <em>Bojack</em> pulls off is matching silliness with sincerity. <em>Bojack </em>is a serious study of depression, and the best portrayal of loneliness I have ever seen.</p>
<p>Among the many great portrayals of Hollywood that I can think of, few of them do this good a job of showing a town where perhaps everybody is working real hard to hide a deep pit of sadness in their life. In just one season, this show has established a singularly unique and dark point of view. Oh yeah, and there&#8217;s also a running gag where three kids are standing on each other in a trench suit, and nobody catches on. <em>Bojack Horseman</em> expresses all of the feelings, and tells all of the jokes, that you always wished you did.</p>
<p><strong>Best Episode: </strong>The Telescope</p>
<p style="text-align: center;"><iframe width="625" height="352" src="https://www.youtube.com/embed/45a1NTArG-g?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Honorable Mention: The Mindy Project- </strong>This is the show I most look forward to watching every week. This smart and hilarious workplace comedy is the closest thing network television has to <em>30 Rock</em> right now. Plus, Chris Messina&#8217;s glasses are the funniest prop on all of television.</p>
<p><strong>Other Contenders: </strong>The Comeback, Brooklyn Nine-Nine, Rick and Morty, Mad Men, Louie, Veep, Silicon Valley, Bob&#8217;s Burgers, Parks and Recreation, Inside Amy Schumer</p>
<p><strong>Still Haven&#8217;t Seen: </strong>Transparent, Hannibal, You&#8217;re the Worst</p>
<p><strong>&#8220;Well actually, the best TV show of the year is <em>Serial</em>&#8221; -The idiot you&#8217;re never going to invite to any of your dinner parties ever again</strong></p>
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		<title>A Helpful Guide to the Most Memorable Dogs in Cinema</title>
		<link>http://reeldealblog.com/2014/06/a-helpful-guide-to-the-most-memorable-dogs-in-cinema/</link>
		<comments>http://reeldealblog.com/2014/06/a-helpful-guide-to-the-most-memorable-dogs-in-cinema/#comments</comments>
		<pubDate>Fri, 20 Jun 2014 18:40:48 +0000</pubDate>
		<dc:creator><![CDATA[ian0592]]></dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Air Bud]]></category>
		<category><![CDATA[Anchorman]]></category>
		<category><![CDATA[Dogs]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[The Sandlot]]></category>
		<category><![CDATA[Uggie]]></category>
		<category><![CDATA[Wayne's World]]></category>
		<category><![CDATA[Will Ferrell]]></category>
		<category><![CDATA[Zoolander]]></category>

		<guid isPermaLink="false">http://reeldealblog.com/?p=1841</guid>
		<description><![CDATA[In a recent interview on Fresh Air, Joel and Ethan Coen said they would rather work with dogs than cats, because dogs &#8220;just want to please people&#8221; while cats &#8220;just want to please themselves.&#8221; Perhaps this is why dogs make the best supporting players, both in movies and real life. Besides monkeys, dogs are probably the [...]]]></description>
				<content:encoded><![CDATA[<div id="attachment_1849" style="width: 564px" class="wp-caption aligncenter"><a href="http://reeldealblog.com/wp-content/uploads/2014/06/The-Sandlot.png"><img class="wp-image-1849" src="http://reeldealblog.com/wp-content/uploads/2014/06/The-Sandlot.png" alt="The Sandlot" width="554" height="233" /></a><p class="wp-caption-text">Image via The Next Reel</p></div>
<p>In a recent <a href="http://www.npr.org/2013/12/17/251638952/the-coen-bros-on-writing-lebowski-and-literally-herding-cats">interview on Fresh Air</a>, Joel and Ethan Coen said they would rather work with dogs than cats, because dogs &#8220;just want to please people&#8221; while cats &#8220;just want to please themselves.&#8221; Perhaps this is why dogs make the best supporting players, both in movies and real life.</p>
<p>Besides monkeys, dogs are probably the best movie characters to come out of the animal kingdom. Sure, they can&#8217;t read any dialogue, but sometimes they can steal the show with a well-timed reaction shot, or a ridiculous outfit. Get it? They are wearing clothes! Animals aren&#8217;t supposed to wear clothes! What a world!</p>
<p>Anyway, I thought it was about time that man&#8217;s favorite four-legged friend got some recognition, because they will never get to win an Academy Award. Before I present my list, here are some important ground rules:</p>
<p>1. No dead dogs! If <em>Game of Thrones</em> has taught me anything, it&#8217;s that all men must die, but that doesn&#8217;t mean you need to use a dead dog to make an audience cry. Sorry, <em>Marley &amp; Me</em>, <em>My Dog Skip</em>, and Every Wes Anderson film. Seriously, I still don&#8217;t know why Wes Anderson likes killing dogs so much.</p>
<p>2. No animated dogs! These dogs must be reel <em>and</em> real. Sorry, <em>Oliver &amp; Company</em> and <em>All Dogs Go to Heaven.</em></p>
<p>3. There must be actual dogs in the movie. Sorry, <em>Dog Day Afternoon</em> and <em>Reservoir Dogs</em>.</p>
<p>Clearly, I put way too much thought into this. Anyway, here is my list of ten of cinema&#8217;s most memorable dogs:</p>
<p><span id="more-1841"></span></p>
<p><strong>Air Bud</strong></p>
<p>It would be downright blasphemous to make a list of dog movies and not include <em>Air Bud</em>. <em>Air Bud</em> is a fairly ridiculous movie that is perfect for the whole family. While this dog can&#8217;t talk, he is really good at bopping his nose hard enough that it causes a basketball to go into a basket. This is a literal underdog story, and I bet you that is how it was pitched at the studio. <em>Air Bud</em> would later inspire countless spin-offs about a Golden Retriever playing a sport which somehow turned into a movie where a bunch of puppies <a href="http://upload.wikimedia.org/wikipedia/en/1/18/Space_Buddies.jpg">go into outer space</a>. Now, I have never done acid, but I wouldn&#8217;t be surprised if it contributed heavily in the writing of <em>Space Buddies</em>.</p>
<p style="text-align: center;"><iframe width="625" height="352" src="https://www.youtube.com/embed/uX1qMlcLL40?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p style="text-align: left;"><strong>Anchorman</strong></p>
<p>Baxter is a vital part of the absurd brilliance of <em>Anchorman</em>. Somehow, Ron can speak dog, but also the dog can bark in Spanish (and yes, I fully believe that Baxter can speak Spanish). The closest I will get to a dog death on this list is the moment that Baxter gets punted off the bridge by Jack Black. Luckily, Baxter lives another day to save Ron and the gang from a pack of vicious bears.</p>
<p style="text-align: center;"><iframe width="625" height="352" src="https://www.youtube.com/embed/XgTdveyFG5Y?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p><strong>The Artist</strong></p>
<p>I still think <em>The Artist</em> had no place winning Best Picture, but Jack Russell Terrier Uggie deserved all the praise he got. Some might say that Uggie became an even bigger star than anybody else in the film (okay, except for John Goodman). Uggie went to every Red Carpet dressed in a tuxedo, and it was hilarious every single time. Uggie even &#8220;wrote&#8221; an autobiography, because in America you get rewarded for doing nothing. Uggie only had 15 minutes of fame, but I&#8217;m sure that did not bother him at all. After all dogs have short attention spans.</p>
<p style="text-align: center;"><iframe width="625" height="469" src="https://www.youtube.com/embed/KvfvyuKlEhA?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Homeward Bound: The Incredible Journey</strong></p>
<p>While <em>Homeward Bound</em> has two dogs and a cat, this one goes to the dogs. Shadow and Chance are a bit of an odd couple, but that is probably why they make the best of friends. I could not stop watching <em>Homeward Bound</em> as a kid, and that is probably because it tackled my emotional yearning to own a dog (that wouldn&#8217;t come until a few years later). Also, <em>Homeward Bound</em> does not get the credit it deserves for nailing the art (yes, I used that word) of the talking animal movie: don&#8217;t make their lips move, it&#8217;s creepy. Animals often communicate through body language anyway, so just letting the dogs be dogs and the voice serve as an internal monologue seems more natural. Plus, if you turn the sound off, <em>Homeward Bound</em> is just 90 minutes of animals staring at each other.</p>
<p style="text-align: center;"><iframe width="625" height="469" src="https://www.youtube.com/embed/B28BDpewMKA?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p><strong>The Sandlot</strong></p>
<p>With time, some works of pop culture are suddenly hailed as classics, just because they were a childhood staple. What many people don&#8217;t realize is that a lot of the crap we liked as kids is&#8230;well&#8230;crap. <em>The Sandlot</em> is an exception to this rule, because we will probably never see a family movie again that involves a kid <a href="https://www.youtube.com/watch?v=io4RWV681wQ">sexually harassing a lifeguard</a>. Anyway, this movie is centered around the legend of &#8220;The Beast,&#8221; who, in the end, spoiler alert, turns out to be a nice Mastiff named Hercules. I am not normally a Mastiff fan (they are giant slobber monsters), but I like this Hercules way more than any Hercules movie that has come out this year.</p>
<p style="text-align: center;"><iframe width="625" height="469" src="https://www.youtube.com/embed/r0H6R7xRytk?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p><strong>Serpico</strong></p>
<p>This classic from Hollywood&#8217;s Second Golden Age would not normally be called &#8220;cuddly&#8221; or &#8220;adorable&#8221; by anybody. Yet, Serpico&#8217;s sheepdog shows our hero&#8217;s his literal soft side. He gets the dog early on in the film as a puppy, and as Serpico sacrifices every last bit of happiness he has in order to expose corruption in the New York Police Department, he loses everybody he loves. Yet, that shaggy sheep dog remains by his side.</p>
<p><img class="aligncenter" src="http://3.bp.blogspot.com/_B1VNwy7mWQg/TB9cekYzRhI/AAAAAAAAAE8/eiPkPK2ywkg/s400/alfie_dog1.jpg" alt="" width="407" height="229" /></p>
<p><strong>There&#8217;s Something About Mary</strong></p>
<p>I might have a few too many yippy little dogs on here, but this one dog defies the laws of nature. Unlike cats, dogs aren&#8217;t known for having nine lives. If you drop a dog, they will not land on all fours. This dog, however, is nearly indestructible. Well, he does wind up in a hilarious body cast after eating some pills that he should not have eaten. BONUS DOG: That huge Great Dane who steals Jeffrey Tambor&#8217;s script in one of the funniest, more subtle jokes in a comedy that is not known for its subtlety.</p>
<p><img class="aligncenter" src="http://www.therecasts.com/images/cars/mary.jpg" alt="" width="436" height="223" /></p>
<p><strong>Wayne&#8217;s World</strong></p>
<p>The old saying goes that people look like their dogs. <em>Wayne&#8217;s World</em> takes that statement literally, as Garth&#8217;s dog, who only makes a brief cameo, sports the same ridiculously 90s hairdo that he does. Like Ron Burgundy, Garth can also communicate with his dog, but a lot of barks get lost in translation. I cannot emphasize enough how much this scene made me laugh in third grade, and how much it still makes me laugh today.</p>
<p><img class="aligncenter" src="http://2.bp.blogspot.com/-lHYiJP07yW0/T_ZcbkorywI/AAAAAAAAAEE/864zYBfruRw/s1600/garthdog.jpg" alt="" width="437" height="246" /></p>
<p><strong>Yojimbo</strong></p>
<p>In one of the most chilling and iconic moments in Kurosawa&#8217;s samurai classic, a dog wanders across the street with a human hand in his mouth. Now, dogs will eat just about anything. I hope this dog got a pay rise (or at least extra treats, given that dogs have no use for money) for transferring this severed hand without eating it whole.</p>
<p><img class="aligncenter" src="http://static.flickr.com/52/120174678_05def2cea2_o.jpg" alt="" width="488" height="227" /></p>
<p><strong>Zoolander</strong></p>
<p>Comedy is partly about sharing the spotlight. If you&#8217;re in a pair, you can&#8217;t just be funny; you have to show the world why your partner is just as funny as you. If I were ever to get to choose an improv partner, then I would definitely go for Mugatu&#8217;s dog. That dog has no problem giving his comedy partner (I don&#8217;t know whether this dog is male or female, but I assume that all dogs are boys) Will Ferrell all of the spotlight, only to chime in every once in a while for a little whimper. Plus, this dog can brainwash and dress well. However, he needs to learn how to <a href="https://www.youtube.com/watch?v=4spf9ONurug">dodge eggs</a>.</p>
<p style="text-align: center;"><iframe width="625" height="469" src="https://www.youtube.com/embed/UMLCGnADyCM?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
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