The uplifting Chef marks the return of Jon Favreau. Well, he never really went anywhere, but when you direct something like Cowboys & Aliens, you seem like the shell of a director for at least a little while. While Chef isn’t a consistently good meal, it is easily digestible. Sorry, I needed just one food metaphor in here. For the non-foodie out there: Chef is not perfect, but it is enjoyable to watch from start to finish.
In Chef, Jon Favreau plays, you guessed it, a chef. More specifically, he is Carl Casper, who is somewhat of a celebrity chef known for his unique food sensibility. Chef Carl also doesn’t like to play by the rules, which isn’t helpful for his current job in a restaurant run by an owner (Dustin Hoffman) who knows more about tradition than variation. Carl struggles professionally, especially after Ramsey Michael (Oliver Platt), the most powerful food critic in town, gives him a terrible review.
Meanwhile, Carl struggles in his personal life, too. He is dealing with a divorce and a son who grows more and more distant by the day. It seems Spielberg definitely taught Favreau a lot during their time together, as family issues have always been a dominant part of Spielberg’s films. Yet, a lot of this movie seems like Favreau trying to erase everything he did in Cowboys & Aliens. In the movie, Carl keeps talking about wanting to go back to basics. Chef is about the farthest thing from any of the big budget blockbusters Favreau has been doing over the past few years but hey, without the Iron Man connection, we would have missed out on a great Robert Downey Jr. cameo here.
I have trouble nailing down Favreau’s directing style, but what I will say about him is that he is both passionate and curious about any topic that he turns into a movie. Those are some of the best qualities anybody could ask for in a director. Seriously, if you can make a grilled cheese sandwich look interesting (no offense to grilled cheese sandwiches), then you clearly deserve to sit in the director’s chair. Chef is a celebration of fine cuts of pork and good parenting.
Chef will be interesting to look at a few years down the road, because it serves as what I can only describe as propaganda for all things trendy. Chef is what would happen if Twitter and The Food Network had a baby. Without Favreau’s touch, Chef would be nothing but a marketing director’s attempt to reach out to the 18-35 demographic. I enjoy watching the growth and progression of a food truck, and while all of the endless shots of food porn work out just fine, the social media references are a mixed bag.
Movies and TV shows have been trying to incorporate social media for a while now, yet the combination still doesn’t feel organic. Chef is about a food truck that becomes successful (spoiler alert?) thanks to Twitter. Chef represents Tweets in these little boxes that pop up over people’s heads, like modern day thought bubbles. Whenever a Tweet gets sent out, it turns into a little blue bird that flies away. Sure, it’s a little cute, but it sometimes takes you out of the world. This will also work against Chef in the future. I don’t know what new technology will be available in the future, but what I do know is that Chef will eventually feel outdated. Looking at the Tweets pop up onscreen will be one day be the equivalent of seeing Michael Douglas talking on a giant cellphone in Wall Street.
Those problems are years down the road, though. In the present day, Chef wraps up just a little too nicely. Everybody is a little too happy, and everything works out just a little too well. I am not saying that I was looking for a dark existential story in Chef, but I did hope it would acknowledge that not everything in life works out perfectly, as most good movies should. Having said that, I liked this movie. I enjoyed myself, and I never for a second regretted seeing it. The moments of joy don’t always work against it. And all of that pork. What I am trying to say is that I recommend you see Chef, especially if you don’t mind mixing meat and dairy.
Brain Farts From The Edge
- I wouldn’t be surprised if the working title for Chef was Anatomy of a Social Media Campaign.
- The idea of a ten-year-old who owns an iPad and knows how to use Twitter, Facebook, and Instagram terrifies me.
- I am not the first one to say this, but there is something a little odd about Jon Favreau putting himself in a love triangle with Sofia Vergara and Scarlett Johansson.
- Chef feautres the song “Bang Bang” by Joe Cuba. This song was also featured in The Wolf of Wall Street. Jon Favreau stars in both Chef and The Wolf of Wall Street. Nice try, illuminati.
- This movie has a great ensemble, and everybody works really well together. Also, Favreau has chemistry with just about everybody.
- Speaking of actors, Bobby Cannavale deserved more screen time.
- If Chef was directed by the Coen Brothers, it would have ended with Ramsey Michel beating up Carl Casper in an alley.
- Despite my qualms with the movie’s use of new media, this blogger is happy to see that a movie is acknowledging the power that bloggers now have.
- I am trying to decide which dish I wanted most. While those Cubanos looked great, I am going to have to go for that brisket from Austin.