Category Archives: Birds

Birdemic: The Movie That Could Make You Hate Movies

I’m that kind of guy who enjoys watching terrible movies. They can have the ability to both help you appreciate good movies, and entertain in a way that few good movies ever could. Mostly, it will be because they are just plain laughably awful.
But tonight I witnessed the bad movie to end all bad movies. This was not just ordinary horrible movie. This was not an example of someone putting something together quickly with terrible results. No, this was the work of a master, someone with good intentions who failed so miserably. This was “Birdemic: Shock and Terror.”
Few words can describe what I witnessed for that 90 minute duration time. The first thought I had though, once the film ended, was this: I want to smash this television set with a baseball bat. Yes, I still had a great time watching “Birdemic.” Yes, at parts I laughed so hard I could barely breath. But it just left such a bad aftertaste. Right now, I could be writing my review of the masterful “Animal Kingdom,” but I feel I am committing a good act of public service by writing about “Birdemic” first.
For starters, here is a brief premise of “Birdemic”: a successful, young software salesman meets the girl of his dreams, and then all the birds in the world get angry about how humans treat the environment (I’m not joking) and start killing everyone.
The entire film is shot with a camera that seems to have even worse quality then the average phone. Meanwhile, the transitions and horrible sound quality make it seem like this film was edited on a version of iMovie from the 90s.
Now, director James Nguyen definitely went into this project with the best intentions. However, good intentions don’t make a good movie. And if you want to make a good parable on the evils of global warming, you shouldn’t include long monologues which are the equivalent of science class lectures. You also shouldn’t include a plot about birds who get angry over environmental issues. If you want something about Angry Birds that actually makes sense, you might as well just play this game.
Not every great filmmaker needed film school (Quentin Tarantino), but they all at least tried to understand what a good movie was before they made one themselves. Nguyen meanwhile directs as if he’s never watched a film in his life. This is literally the worst edited film I’ve ever seen. Most of its running time consists of people driving nowhere, with some snippets of plot in between. Having a little bit of downtime in a film is never a bad thing. Having that downtime take over your entire film, on the other hand, is absolutely unbearable. Oh, and did I mention the birds poop fireballs? That’s the only way to explain the film’s subpar (that’s the nicest way to describe them) special effects.
Now, here is the movie’s absolute worst offense. When I think of bad movies, I obviously think of “The Room.” Somehow, “Birdemic” did the impossible and manages to be even worse than “The Room.” “Birdemic” makes “The Room” look like it actually had a sensible plot and sense of direction. Most of the green screens used in “The Room” looked more realistic than the actual backdrops seen in “Birdemic.” Tommy Wiseau, you have finally met your match.
I haven’t seen every bad movie ever made. I haven’t seen “Troll 2″ or “Plan 9 from Outer Space,” and I have yet to finish “Freddy Got Fingered.” However, I can safely say this: “Birdemic” is the worst made movie I have ever seen. Still, I advise you to see it. Even though it may intensify your urge to break your TV and yell at inanimate objects, just so you can truly understand the limit of awfulness, and how to cross it.
Get a preview of the awfulness here.

It’s Always Sunny in Philadelphia Season 5 Premiere: Foreclosures, Octomom, and Hummingbirds

I guess it makes sense that “It’s Always Sunny in Philadelphia” would begin a new season with a pointless conversation about whether or not it’s illegal to own a hummingbird. After all, it’s not like they have anything valuable they could be giving back to society.

And so begins the fifth season of FX’s strangely genius, totally twisted comedy “It’s Always Sunny in Philadelphia.” The show started years ago, being helmed by an unexperienced writer (Rob McElhenney) with a budget under $200. Some thought it would never survive. They were wrong.
Maybe what’s so great about “Sunny” is that it totally abandons the idea of having any sort of continuous story-lines or continuity. Season four ended with Charlie (Charlie Day) creating a fantasy musical that accidently ended up being about being about child molestation in a failed attempt to impress the Waitress (Mary Elizabeth Ellis). Season five finds the gang living in a totally different from the one we last saw them in last November. This time, they’re dealing with a tough economy. And what better way for the gang to celebrate financial meltdown than to totally exploit it?
The season premiere is entitled “The Gang Exploits the Mortgage Crisis.” In it, the boys come up with an ill-conceived get rich quick scheme that involves them buying foreclosed homes and selling them at higher prices. As usual, their parallel universe collapses, and reality sets in. Meanwhile, Dee (Kaitlin Olson) decides to become a surrogate mom for a wealthy couple. The couple seems right out of “Juno,” and her plan emulates Octomom. Sounds perfect, right? Well, don’t underestimate the power of alcohol, or the stupidity of Mac (McElhenney), Dennis (Glenn Howerton), Charlie, and Frank (Danny DeVito).
While some shows tend to decline in later seasons, “Sunny” seems to be getting better and better. As the show has rolled on, each actor seems to be getting a better grip of their character, and finding a way to bring even the tiniest bit of sympathy to five of the most horrible TV characters ever created.
Maybe what helped make this episode so satisfying was that it did what a good “Sunny” episode should do: it placed the gang amongst intelligent human beings and higher standards of living yet still had them act as selfish and obnoxious as they usually would. However, this is also where some sympathy might build for the characters: in this idea that they’re simply misunderstood outsiders. They’re not trying to be bad, they just want to get ahead in life. But of course, their view of success is a little…warped.
The only problem with this episode falls in its very abrupt ending. Although it managed to tie both stories together well, in the end, parts of the episode felt slightly rushed. McElhenney took an hour long story and tried to cram it into thirty minutes. We’ll probably never hear about Dee’s attempt at parenthood, or Charlie’s attempt at a duel ever again, but then again, this gang does still have a bar to manage.