Category Archives: South Africa

Movie Review: Invictus

After seeing “Invictus,” I thought of a scene in “Barton Fink” where a greedy studio executive informs Fink his wrestling picture won’t work because the real drama takes place in the ring, not outside of it.

Somehow, “Invictus” manages to strike a rare balance of both; making the action in the story as intense on the action on the field. Then again, I expect nothing less from Clint Eastwood.
“Invictus” comes entirely from a true story. It is slightly a biopic on Nelson Mandela (Morgan Freeman). However, it’s not a rise and fall story of his entire life. Instead, it tells of the years when he became president of a post-Apartheid South Africa. Once Apartheid ended, all of the country’s racial tensions had not ended. To reunite the torn country, he looks for help in the most unlikely place: South Africa’s rugby team. In order to reunite the country, he befriends the team’s white captain (Matt Damon) and inspires the team to win the World Cup. Here is where sports and social conflict collide.
You could call “Invictus” a mix of two very different genres: inspiring biopic, and inspiring sports flick. It manages to be unconventional, but not necessarily groundbreaking in both. As a biopic, it manages to show its subject as an amazing person without necessarily deifying it. As a sports flick, it manages to be uplifting without being schmaltzy. Of course, this shouldn’t come as a surprise, as the film is directed by Eastwood.
Even at the age of 79, Eastwood remains as alive and energetic as he was at 29. Here, he shows off his talent for amazing, simple human interactions. Some philosophical life conversations that take place in the movie feel similar to those in say, “Million Dollar Baby.” Meanwhile, the brilliantly shot rugby sequences feel as engrossing and brutal as a real game of rugby. Eastwood puts in the same energy of mastering the technique of a rugby game as he did with a battle sequence in “Letters from Iwo Jima,” a boxing match in “Baby,” and a shootout between gunslingers in “Unforgiven.” Simply, this man can do anything.
Another man who can do (or in the case, play) just about anything is Freeman. He’s the first person that comes to mind when I think of a good candidate for Mandela, and here he proves why. He doesn’t just play Mandela, he is Mandela. Any person who doesn’t know a thing about Mandela will walk out of this movie understanding why this man deserves a movie. He underlines his amazing quality of forgiveness, but also his outgoing, always humorous personality. His performance goes along with the screenplay, as he plays Mandela as not just an inspiring public figure, but also a man could faint from too much work, and a man who could also have family problems.
The film’s other star, Damon, gives something of a mixed performance. While he gave a career best performance earlier this year in “The Informant!” this performance is a slightly bigger challenge, as the South African accent is a hard one to nail. Sometimes, he gets it right. Other times, it leans towards Australian with a mix of American. Damon is a talented actor, and I admire him for trying. However, his imperfect accent didn’t serve as a distraction from the film’s higher points.
“Invictus” might just be the perfect sports movie for this day and age. It’s one of those films that provides both makes you face reality, and allows you to escape it. It engrosses you in the power of the game, but it also uses the game as a way to represent South Africa’s social problems. It represents the power of something as seemingly insignificant as a sporting event as being one of the greatest uniters of all. It is also a great sports flick for the way the game is shot. Eastwood puts you inside the huddles, forcing you immediately inside the action. Meanwhile, each kickoff is incredibly suspenseful. Even if you know the outcome, you can’t help but feel like you don’t.
Only someone like Clint Eastwood could get away with showing one of the most significant turning points in modern human history through sports. Here, he has also shown his new world view, which is leaning away from the depravity of mankind and leaning toward the idea of how even one life can inspire so many. The title “Invictus” comes from a poem that Mandela read during his years in prison about man triumphing over his soul and his destiny and in the end, conquering great obstacles. “Invictus,” like Mandela himself, will inspire many, and leave no audience member unmoved. This is one of the year’s best films.
Below is a picture of the real Nelson Mandela with the real Francois Pienaar

Movie Review: District 9

For decades, Hollywood has been fascinated with the concept of life on other planets. The first films about extraterrestrial life began as ones where the aliens were portrayed as villainous, inhumane creatures looking to enslave the human race. Then, in the late 1970s, things turned around when Steven Spielberg proposed the idea that maybe the invading aliens were nothing but friendly, curious creatures. Stemming from that idea is “District 9,” one of the biggest surprises of the summer.

“District 9″ takes us to Johannesburg, South Africa’s largest city. One day, a giant alien space ship stops and hovers over the city. The ships stands hovering over the city for 20 years. Eventually, the government opens the ship up to find an entire alien colony inside. With the ship immobile and the aliens stuck on Earth, the humans decide to segregate them into an area called District 9. We are never told what their race is called or what planet they are from, but simply that humans give them the derogatory name of “Prawn.”
While in Johannesburg, the Prawns are mistreated and District 9 turns into a slum. The government plans a giant relocation project for the alien community. This mission is led by Wikus Van De Merwe (Sharlto Copley). At first, Wikus finds him self battling Prawns. Soon however, he finds himself all to close to them.
A lot has been written in recent weeks about the many feats pulled of by “District 9.” Most articles have focused on the film’s extremely low budget ($30 million) and it’s starless cast and first time director. They act like these are impediments, but in fact they are benefits. These elements just serve to make “District 9″ more original and more refreshing. The blockbuster and the sci-fi thriller seem to be dying thanks to uninspired ideas and adaptations of toys and video games. Here is the first sci-fi thriller I’ve seen in a long time that is totally inspired and totally new. 
The first time director at the helm of “District 9″ is Neill Blomkamp. Although it’s only his feature debut, he directs like a pro. Much of “District 9″ is shot in documentary style. A majority of the movie is taken from security camera shots and news footage. However, the whole film isn’t shot in documentary style. It transitions at times to a typical filmmaking style. The film always transitions smoothly between these two styles. Often when a film attempts to balance out these two styles, it usually turns out poorly (for example, “Public Enemies”). “District 9″ does the rare thing that most experienced filmmakers rarely achieves and makes a successful film that is part mockumentary, part narrative.
The typical blockbuster has needed a big makeover in recent years. Films like “Transformers” and “G.I. Joe” have nearly destroyed the idea that entertaining action films can also have a brain. “District 9″ brings the brain back to sci-fi. 
Part of “District 9″‘s big brain comes from the fact that it’s an allegory on apartheid. This makes sense as to why exactly the film is set in South Africa; it’s a country that was once torn apart by bitter racial apartheid. This time, the apartheid is against the aliens. The message here isn’t just that apartheid is bad, it’s that the forced segregation of any being ends up de-humanizing further those who aren’t being segregated. It’s not the aliens that look like monsters here, it’s the people.
While most have talked about the film’s connection to apartheid, it also mirrors several other current events. District 9 resembles the slums of Mumbai, and the way that South Africans talk about the visiting Prawns sounds a little bit like the way some people talk about illegal immigrants in this country.
The aliens of “District 9″ look like giant grasshoppers who talk like Jabba the Hut. But it’s not so much the appearance that is groundbreaking but rather the personalities of the aliens. Even though they are aliens, they behave like people. They raise families, they buy food, and they live in houses. The alien Christopher’s troubles makes him seem basically like a human being.
“District 9″ is not the best sci-fi film ever made, but it’s the best one that’s come out in years. It contains some incredible action sequences involving a vaporizer gun. The film also has an ongoing, very dark sense of humor and the emotional finale in a sci-fi film since “Blade Runner.”
Already a huge success, there has already been talk of a sequel for “District 9.” I usually am not a huge fan of sequels, but this is one the few films that I actually would want a sequel for. That is just how much I liked the characters, and just how much I liked the movie. “District 9″ proves that in an unoriginal world, a little bit of unique ideas can go a long way.
Recommended for Fans of: Close Encounters of the Third Kind, E.T., Blade Runner, Alien, Cloverfield