Category Archives: Who Will Win

The Oscars: Who Will Win

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Best Picture

Who knew that Ben Affleck’s Oscar snub would be the best possible thing for him? Ever since his name was not included on the Best Director list, Hollywood has rallied around “Argo.” Lately, I have been rooting for Affleck, because I love a good redemption story. However, the fact that Affleck still doesn’t have an Oscar isn’t as bad, considering Scorsese just won his first one less than a decade ago. Affleck is still young and he has a long career of Oscar nominations ahead of him. But that won’t stop the Academy. “Argo” is a good, old-fashioned thriller about Hollywood. And if Hollywood loves anything, it’s congratulating themselves. Expect “Argo” to be the first film since “Driving Miss Daisy” to win Best Picture without a nominated director to accompany it.

Best Director

“Life of Pi” was lauded nearly across the board for its visuals. “Amour” is a critical favorite and Haneke could score a surprise win from that. But I doubt it. Spielberg certainly doesn’t need any more praise heaped his way. However, that won’t stop Spielberg from winning this year for bringing an era to life with precise detail. This will be Steven Spielberg‘s third win for Best Director. I don’t think it will be long until he gets a fourth and ties John Ford’s record.

Best Actor

There are some fine performances in this category. Any other year, Bradley Cooper would have walked away with the award. But when Daniel Day-Lewis is nominated, no one can compete.

Best Actress

This race started off as a duel between Jessica Chastain and Jennifer Lawrence. For a while, I thought Chastain had it in the bag for her challenging and commanding performance in Zero Dark Thirty. There is a slight chance that veteran Emmanuelle Riva could score a late-in-life sympathy vote. This race though seems like a clear victory for Jennifer Lawrence. Lawrence may only be 22, but she is one of the most likable stars working today and her performance in “Silver Linings Playbook” was so good that she even took Robert De Niro to school.

Best Supporting Actor: 

Tommy Lee Jones held his own against Daniel Day-Lewis in “Lincoln,” which is no easy task. Alan Arkin was a joy to watch in “Argo” as always, but he just won a few years ago. Seeing Christoph Waltz win again would be great, not only because he’s a terrific actor but also because that guy can rock any stage he steps on. This is the toughest race to call, but I think I’m going to have to settle with Robert De Niro in “Silver Linings Playbook.” There’s nothing wrong with honoring a good, heartfelt comeback.

Best Supporting Actress

No analysis needed. Anne Hathaway (for “Les Mis,” not “The Dark Knight Rises,” in case you were confused) has this one in the bag.

And the rest:

Best Original Screenplay: Zero Dark Thirty
Best Adapted Screenplay: Argo
Best Animated Feature: Wreck-It Ralph
Best Documentary: Searching for Sugar Man
Best Foreign Film: Amour
Best Editing: Argo
Best Cinematography: Life of Pi
Best Visual Effects: Life of Pi
Best Costume Design: Les Miserables
Best Production Design: Les Miserables
Best Makeup: Les Miserables
Best Original Score: Lincoln
Best Original Song: Skyfall
Best Sound Mixing: Les Miserables
Best Sound Editing: Argo
Best Documentary Short: Open Heart
Best Animated Short: The Simpsons: The Longest Daycare
Best Live Action Short: Asad

The Oscars: Who Will Win

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Best Picture: The King’s Speech


For a good portion of 2010, “The Social Network” seemed like the definite frontrunner. Along with sweeping every early award, it was a critic and audience darling. That’s a rare find. Then suddenly, a little indie presented as a classic Best Picture came along and a truly interesting Oscar race was born. While there could be a slim chance of a “Social Network” upset, the royalty-ladden “The King’s Speech,” which took home the Producers Guild Award, will be this year’s Best Picture winner.
Best Director: David Fincher (The Social Network)

Common sense might put Tom Hooper as winner here. He did win the Directors Guild Award, and his debut work on “The King’s Speech” was so impressive that it might as well have been the work of an old prBoldo. Yet, this year will be the rare year where the Picture and Director prize go to two separate films. This will be the year that David Fincher finally picks up his Best DirectBoldor statue for his dark yet incredibly absorbing take on the tale of the creation of Facebook. Maybe now I can finally forgive the Academy for not nominating him for “Se7en” or “Fight Club.”
Best Actor: Colin Firth (The King’s Speech)

BoldAt this point, there’s really no room for an upset. Colin Firth’s moving and inspiring portrayal of the troubled King of England will finally earn this Brit his long deserved Best Actor Oscar.


Best Actress: Natalie Portman (Black Swan)

There is a small chance that Annette Bening could pull a surprise win here after a series of snubs. Though it looks more likely that once again she’ll lose out to a younger actress (Hilary Swank beat her twice). Natalie Portman’s devastating performance as a young woman going through a psychological breakdown will earn her her first Oscar.
Best Supporting Actor: Christian Bale (The Fighter)

Seriously, does this prediction even need justification? Bale’s spot-on method acting as a crack addict and his climb to redemption are the kind of qualities the Academy always loves. Not to mention, he’s got quite a few precursor awards. And the man actually deserves this honor. Shockingly, this is Bale’s first Oscar nomination ever. It definitely won’t be his last nomination, or win, ever though.


Best Supporting Actress: Melissa Leo (The Fighter)

There is a big chance that Hailee Steinfeld’s stellar work in “True Grit” could make her one of the youngest Oscar winners ever. Though this year, with SAG on her side, and a snub in the past (“Frozen River”), Leo looks like the likely winner for her unforgettable performance as Mickey Warde’s controlling, yet loving, mother. Honestly though, the Academy should’ve just given her a joint nomination with every single of the crazy sisters.


Best Original Screenplay: David Seidler (The King’s Speech)

This is a tough one. “Inception” took the WGA award, though the Academy’s lack of love for Christopher Nolan could be an obstacle here. “The Kids Are All Right” could score this for being funny, warm, and socially groundbreaking. Even the smart character work of “The Fighter” has a nice chance here. Though in the end, it looks most likely that the Academy will also crown its Best Picture winner with the best writing. For making the past seem so alive and entertaining, Seidler deserves a little recognition.


Best Adapted Screenplay: Aaron Sorkin (The Social Network)

No contest. Aaron Sorkin took the story of Facebook and made it both accessible and entertaining. It has already produced some of the most memorable movie quotes of the young, new decade (“If you guys were the inventors of Facebook, you would have invented Facebook.”). One could argue that the real reason that Sorkin is destined to win is that his screenplay has swept the precursors. That may be true. Though actually, anyone who can make an ending somehow comparable to Rosebud in “Citizen Kane” deserves any Oscar imaginable.


The Other Categories:

Best Documentary: Exit Through the Gift Shop
Best Animated Film: Toy Story 3
Best Foreign Language Film: Biutiful
Editing: The Social Network
Cinematography: Black Swan
Score: The Social Network
Song: “If I Rise”
Art Direction: The King’s Speech
Costume Design: The King’s Speech
Sound Editing: Inception
Sound Mixing: Inception
Visual Effects: Inception
Score: The Social Network
Makeup: The Wolfman