Episode 15: Ian and Cassie talk about how season two of Orange is the New Black made an already great show even better and why Obvious Child is a breath of fresh air in a crowded summer movie season. Plus, what we’ve been consuming (watching, reading, listening, etc.) this week.
Seriously…what’s the deal with babies?! Image via Sundance
Obvious Child has been labeled as “that abortion movie,” which is the equivalent of labeling Trainspotting as “that heroin movie.” Obvious Child is not a film about a controversial topic, it is a film about people dealing with issues and, well, being people.
Obvious Child is the feature film debut of writer-director Gillian Robespierre who, despite sharing the last name of an evil historical figure, has a gentle touch in dealing with tough and sensitive issues. Sometimes, Obvious Child feels so naturalistic that it resembles something that is not even a film at all. It tells the story of Donna Stern (Jenny Slate), a Jewish comedian (I have to point this out, given that this movie is Cultural Judaism incarnate) going through a millennial crisis, which is a midlife crisis that somebody in their 20s might go through. Her stand-up is funny and honest, yet it isn’t getting her much work.
Here’s where I would make a Kroll Show reference if any of you watched it. Image via Salon
I hate to say it, but summer movies make me feel more and more cynical by the day. It is a bad sign when “good enough” seems like the nicest thing you can say about any given movie.
Sometimes, it feels like Hollywood has lost so much faith in itself that it needs to have a million different voices contributing to just one project. Just look at The Amazing Spider-Man 2: it feels like every person on the Sony lot, from a top studio executive to a random janitor, got to contribute their ideas to the final product. Plus, with all of the sequels and remakes coming out, it feels like there isn’t a single authentic voice left in Hollywood anymore. I have no interest in seeing another superhero movie again, and I will repeat that to myself begrudgingly while buying a ticket for X-Men: Days of Future Past. Hey, it is good enough.
While not all original ideas are good (see: In Your Eyes), I nevertheless appreciate and celebrate every time film embraces something new, as opposed to something that can be turned into a toy six months before the movie actually comes out. There are some films to be excited about this summer, and I would like to take some time to acknowledge them. Here is a list I have compiled of five upcoming films that celebrate good ideas and likable people. Here are five upcoming summer films that might make all of the cynicism go away: