Tag Archives: Movie Review

Movie Review: The Skeleton Twins

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“Hey Kristen…do you think the seat between us is symbolism for the distance in our relationship.” “Sure Bill.” Image via IFC

For a film starring a guy known for his Alan Alda impression and a girl known for her awkward stammering, The Skeleton Twins sure is sad. In fact, the biggest laugh you will get out of The Skeleton Twins is from a joke about a famous dead dog.

The Skeleton Twins checks off a myraid of indie movie cliches, from white people being sad underwater, to white people being sad while sticking their head out of a car window. A good alternate title for this film would be Little Miss Zoloft.

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Movie Review: The Drop

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Here we are again, in another rough and tumble neighborhood where everybody steals from each other, and nobody ever gets out. We have heard this story before and it can basically take place anywhere because, well, America is filled with a lot of crappy places.

The Drop is a slick and entertaining, yet typical, crime thriller. Boston writer Dennis Lehane takes his talents to the streets of Brooklyn. Bob (Tom Hardy) works at a bar that criminals from all walks of life use as a “drop bar.” This is a place where money constantly changes hands. Or that is what I think. There’s a lot of accents in play here.

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Movie Review: Calvary

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Here is a joke I just thought of: what’s the difference between religion and astrology? Religion has the potential to actually have an impact on the world.

Okay, so it’s not a great joke, but I hope you get the point I am trying to make.

Calvary, a parable or an allegory, whatever you want to call it, is a dark exploration on the failings of the church, with an extra serving of melancholy. It stars Irish national treasure Brendan Gleeson as Father James, a good priest who receives a death threat in the film’s opening minutes. In confession, the voice on the other side tells him that he will die in a few days time for the sins of other priests. This means everything from greed to pedophilia. Already, Calvary is making you think about the things you didn’t want to think about.

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Movie Review: The One I Love

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Don’t let the title fool you, The One I Love begins with a marriage in crisis.

The film opens with Ethan (Mark Duplass) and Sophie (Elisabeth Moss) in the midst of an intense session of couples therapy. The two of them realize that there marriage is failing because at this point, they are just trying to force love. And, as Phil Collins probably once said, you can’t force love.

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Movie Review: Guardians of the Galaxy

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Guardians of the Galaxy marks the first time in a long time in which I was actively rooting for the arrival of another Marvel feature. That might have just been from the odd sight of a raccoon and a tree interacting with one another. Guardians of the Galaxy is the latest film to come out of the Marvel Universe, and it almost feels like they hit the restart button with this one, and got nearly perfect results.

I had an inkling, which turned out to be very wrong, that Guardians of the Galaxy might completely reinvent both superhero and action movies. I was wrong. Guardians of the Galaxy doesn’t reinvent any genre, and it doesn’t even try to do so. Guardians of the Galaxy is a product of Marvel, yet it also bears director James Gunn’s incredibly original voice. James Gunn worked the system: he made a fun summer blockbuster that also happens to be an auteur piece.

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Movie Review: Under the Skin

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Sometimes, you like a movie. Sometimes, you’re not sure if you should like a movie. Sometimes, you only like a movie because you feel like you’re supposed to like that movie. Under the Skin seems to fall under that last category.

Under the Skin is the latest film from British director Jonathan Glazer. I am told by people smarter than me that he is a very good director. Some might call him a visionary. While I haven’t seen Birth or Sexy Beast yet, I can get on board with those claims. The guy knows how to frame a shot and tell an entire three act story using barely any dialogue. This is a pretty big feat considering the fact that most sci-fi movies today are bogged down by exposition.

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Movie Review: Boyhood

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The amazing part about Boyhood, well, one of the amazing parts, is that it is so relatable on a broad scale, despite being incredibly specific. Boyhood understands so many basic parts of the human experience but hey, most kids from Connecticut don’t get a shotgun on their fifteenth birthday.

Boyhood is one of those films that critics save up all of their hyperboles for. You can call it amazing and you can call it groundbreaking and it both instances it wouldn’t sound like you were exaggerating. In this case, listen to the hype.

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Movie Review: The Immigrant

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THE IMMIGRANT

“We have always been a nation of immigrants who hate the new immigrants.” -Jon Stewart

Between Colonial Williamsburg and 90s nostalgia, humans have a bad habit of white washing history. Between the men dressed in funny outfits and the All That reruns, we often forget the wars and the dysentery.

Because of this, I praise the heavens above when a film like The Immigrant comes out. This is the kind of film that treats history less like an epic poem and more like a rap lyric. In other words, this film is aware that life is a dirty game, and you’ve got to play dirty to win. Now, excuse me while I slap myself in the face for writing those last few sentences.

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Movie Review: Snowpiercer

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It is impossible to know what will be revered down the road, but it is truly something to behold when you witness a film that you are just sure will be a future cult classic. From the detailed world to the crazy monologues, I get a good feeling that Snowpiercer will be just that.

Snowpiercer, the latest film from Bong Joon-ho, is a rare breed: too smart to be a summer blockbuster, yet too fun to be a moody summer indie flick. So instead, it is a little bit of both, with fantastic results. Based on a graphic novel, Snowpiercer takes place in a post-apocalyptic world. After a solution to solve Global Warming fails, the Earth freezes over. A select few are given their own ark, in the form of a train that runs on a perpetual engine. Snowpiercer is able to explain this in a manner that is much more succinct than the normal blockbuster would. This is a film that truly knows how to pace itself.

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They Came Together: The Finer Points

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Hi, can I please be friends with both of you? I’m kind of cool and not desperate, I swear. Image via Vanity Fair

I can’t do it. I just…I can’t do it. I can’t…review…They Came Together.

Don’t worry, I haven’t reached my breaking point. I have just found a film that has rendered itself unreviewable. That is not to say that They Came Together is bad or difficult to understand; it is just to say that is so self-aware that at times it won’t feel like you are watching a movie, but rather two idiots with too much imagination pitching their idea for a romantic comedy. And that is not a diss at all.

They Came Together starts with a double date where the story of Joel (Paul Rudd) and Molly’s (Amy Poehler) relationship goes on for a very long time, and turns out to be just like “a corny romantic comedy.” Thus, they proceed to tell the story of the worst romantic comedy possible. They Came Together tries to be bad, and that is what makes it so good.

For that reason, I feel like an ordinary review would not work here. So here is a long of jumble of thoughts on They Came Together:

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