Category Archives: Annie Hall

Eight Nights of Hanukkah, Eight Entertaining Jews: Night #2

The old insult goes, “Jews run show business.” To that I say “thanks.” 

Jews make up about 0.2% of the world’s population yet they have always been a loud (emphasis on the loud) and prominent voice in film, television, music, and comedy. The next eight days are Hanukkah, which is not the most important Jewish holiday, but we do get presents. For each night of Hanukkah, I will share one Jewish entertainer who has had a big impact on me. For the second night of Hanukkah, let’s talk about Woody Allen:


And the second face on the Mount Rushmore of Jewish comedians: Woody Allen.

At first glance, Woody Allen looks like the stereotype of the typical Jewish man: nebbish, scrawny, neurotic, and intellectual. On his own account, Allen is far from this in real life. He is an actor playing a part that he happens to be really good at playing.

Allen has a different kind of Jewish humor than Mel Brooks, who I profiled yesterday. Instead of telling funny stories from the Lower East Side, Allen is more the kind of Jew who tells jokes that began with the setup, “so three Rabbis walk into a bar…”

Like many other Jewish entertainers before him, Allen anglicized his name (he was born Allen Konigsberg). However, that did not stop Jewish ideas from influencing his writing. Just look at “Annie Hall,” where the funniest scene is about the differences between a Jewish and a non-Jewish family. “Crimes and Misdemeanors” is about a man dealing with faith-induced guilt after committing a crime. You can change your last name all you want, but that won’t stop you from being influenced by your upbringing.

Whether or not his presence fulfills stereotypes is moot, because Allen is one of the hardest working people in all of show business. Without a laptop or a cell phone, he has been putting out one movie a year for most of his career. Sure, some of those turn out to be flops (as might happen when your creative output is that high), but its always worth it to get classics like “The Purple Rose of Cairo,” “Hannah and Her Sisters,” and “Midnight in Paris.”

Just like Mel Brooks, Allen has not rendered himself irrelevant, despite duds like “To Rome with Love”. Two years ago, he won an Oscar. This year, he wrote and directed “Blue Jasmine,” which is by far one of his finest features. Allen has gone from standup to TV to film and dominated each medium. He has recently talked about a possible return to standup comedy. I don’t know if this was just talk, but if Mr. Allen decides to return to standup it would make the Jewish community, and the entire world, very happy.

Fun Fact: My first exposure to Woody Allen was through the movie “Antz” where he voiced the lead ant. Seriously, it’s an animation classic.

Come back to The Reel Deal tomorrow night for Jew #3.

Valentine’s Day: The Best Anti-Romantic Romance Movies

SPOILER ALERT: This post vaguely reveals the endings to the movies listed below. This is not to discourage you from reading, but I advise that you proceed with cautions. Although at this point, it’s hard not to know the ending of “The Graduate.”  


1. Eternal Sunshine of the Spotless Mind


Some common themes on this list are couples who act cutesy and people making big decisions without putting much thought into them. After breaking up, Joel (Jim Carrey) and Clementine (Kate Winslet) get the memories of their relationship erased, only to realize there was something there that was worth remembering. It’s peculiar that movies about love going wrong have the most to say about love in general. Being treated to Joel and Clementine’s relationship crumbling from the top to bottom is just as devastating as it sounds.The ending leaves a bittersweet feeling: they are finally getting back together again, but they are also subject to hate each other again as in their previous relationships. The question of whether or not the two of them are meant to be together, or if they constantly breakup because they truly hate each other, haunts me to this day.



2. Annie Hall


Sure, Alvy (Woody Allen) and Annie (Diane Keaton) have fun together and they both enjoy playing with live lobsters and making fun of Truman Capote lookalikes, but they are far from soul mates. Alvy is New York (close-minded, uptight) and Annie is Los Angeles (free-spirited, unpredictable). “Annie Hall” contains some of the grandest romantic moments in the movies (Alvy and Annie in front of the Brooklyn Bridge), yet in its ending, it reduces relationships to a need, and not a desire. Nonetheless, this is one of the most enjoyable instances of a failed relationship you’ll ever be a part of.



3. The Graduate


Ben Braddock (Dustin Hoffman) sweeps in and saves Elaine (Katharine Ross) on the day of her wedding to tall, blonde, and handsome Carl. The shot of them sitting on the back of the bus together, laughing and smiling over what they have just done, could bring the hopeless romantic in all of us to tears. But then, reality, unhappiness, and ambiguity quickly set in. Maybe these two were acting on impulse and not calls of fate. Maybe they are making the same mistakes their parents once made, which they both wanted to escape from. The uncertainty of the future lies ahead for them, one likely filled with Vietnam War protests and occasional acid flashbacks.

4. (500) Days of Summer


Sure, Tom’s (Joseph Gordon-Levitt) belief in true love is reaffirmed in the end when he meets Autumn, but the path to getting there is filled with doubt. Watching Tom be misled into a relationship with Summer (Zooey Deschanel) is as painful as it is funny. While Tom goes on a tirade against greeting cards and pop music, there is no need to start protesting Hallmark or plan a mass burning of Smiths records. Rather, try not to fall in love with someone because they also think “There Is A Light That Never Goes Out” is a good song. A lot of people like The Smiths.



5. Blue Valentine


Most of these movies end with the main character meeting someone who they at least think they will spend the rest of their lives with. If you were looking for a movie that could diagnose you with chronic depression, than look no further. “Blue Valentine” is about a marriage completely falling apart in grueling detail. Any movie that could make you want to punch Ryan Gosling in the face must be well made because seriously, nobody hates Ryan Gosling.* “Blue Valentine” is ultimately a cautionary tale, and its greatest lesson is that you should never marry anyone just because they can play your favorite song on the ukulele.

*This is not an assumption
Thanks to friend of The Reel Deal Josh Fisher for the “Blue Valentine” suggestion.