Category Archives: Mel Brooks

Eight Nights of Hanukkah, Eight Entertaining Jews: Night #2

The old insult goes, “Jews run show business.” To that I say “thanks.” 

Jews make up about 0.2% of the world’s population yet they have always been a loud (emphasis on the loud) and prominent voice in film, television, music, and comedy. The next eight days are Hanukkah, which is not the most important Jewish holiday, but we do get presents. For each night of Hanukkah, I will share one Jewish entertainer who has had a big impact on me. For the second night of Hanukkah, let’s talk about Woody Allen:


And the second face on the Mount Rushmore of Jewish comedians: Woody Allen.

At first glance, Woody Allen looks like the stereotype of the typical Jewish man: nebbish, scrawny, neurotic, and intellectual. On his own account, Allen is far from this in real life. He is an actor playing a part that he happens to be really good at playing.

Allen has a different kind of Jewish humor than Mel Brooks, who I profiled yesterday. Instead of telling funny stories from the Lower East Side, Allen is more the kind of Jew who tells jokes that began with the setup, “so three Rabbis walk into a bar…”

Like many other Jewish entertainers before him, Allen anglicized his name (he was born Allen Konigsberg). However, that did not stop Jewish ideas from influencing his writing. Just look at “Annie Hall,” where the funniest scene is about the differences between a Jewish and a non-Jewish family. “Crimes and Misdemeanors” is about a man dealing with faith-induced guilt after committing a crime. You can change your last name all you want, but that won’t stop you from being influenced by your upbringing.

Whether or not his presence fulfills stereotypes is moot, because Allen is one of the hardest working people in all of show business. Without a laptop or a cell phone, he has been putting out one movie a year for most of his career. Sure, some of those turn out to be flops (as might happen when your creative output is that high), but its always worth it to get classics like “The Purple Rose of Cairo,” “Hannah and Her Sisters,” and “Midnight in Paris.”

Just like Mel Brooks, Allen has not rendered himself irrelevant, despite duds like “To Rome with Love”. Two years ago, he won an Oscar. This year, he wrote and directed “Blue Jasmine,” which is by far one of his finest features. Allen has gone from standup to TV to film and dominated each medium. He has recently talked about a possible return to standup comedy. I don’t know if this was just talk, but if Mr. Allen decides to return to standup it would make the Jewish community, and the entire world, very happy.

Fun Fact: My first exposure to Woody Allen was through the movie “Antz” where he voiced the lead ant. Seriously, it’s an animation classic.

Come back to The Reel Deal tomorrow night for Jew #3.

Eight Nights of Hanukkah, Eight Entertaining Jews: Night #1

The old insult goes, “Jews run show business.” To that I say “thanks.” 

Jews make up about 0.2% of the world’s population yet they have always been a loud (emphasis on the loud) and prominent voice in film, television, music, and comedy. The next eight days are Hanukkah, which is not the most important Jewish holiday, but we do get presents. For each night of Hanukkah, I will share one Jewish entertainer who has had a big impact on me. Let’s start off the festivities with Mel Brooks:


If a Mount Rushmore of Jewish comedians were ever to be constructed, Mel Brooks would most definitely be the biggest, most prominent face on there. To this day, Mel Brooks’ presence remains indistinguishable from Jewish comedy.

At the ripe old age of 87, Brooks remains as hilarious and relevant as ever. That is partly because he is as funny as ever, but also because he simply refuses to fade from the spotlight. Unfortunately, Comedy is often susceptible to aging (Cracked did a great podcast on the subject). Even classics like “Dr. Strangelove” and “Bringing Up Baby” have shown their age. Not Mel Brooks, though.

Just listen to “The 2000 Year Old Man.” Or watch “Blazing Saddles.” Both have barely aged. In the case of “Blazing Saddles,” it is still a shock that something like that could have been made when it was.  In fact, it probably would have had a lot of trouble with the PC crowd of the present as well. Brooks seems to find that mixing the past into the present, as well as speaking in a ridiculous Yiddish accent, is universally hilarious.

Which Mel Brooks movie is the best depends on who you are speaking to. Brooks is one of Hollywood’s best genre satirists, and everyone from Edgar Wright to Quentin Tarantino to Dan Harmon probably owe a great thanks to him. Brooks said that he was never a big science fiction fan, yet the merchandising scene from “Spaceballs” is one of the sharpest bits of commentary on the movie business that there is.

While Brooks might not be religious, he is openly Jewy, letting every bit of the culture inform his works. That odd and exaggerated accent is a staple of nearly all of his characters. Comedians exploiting the languages and cultures that they grew up with was common when Brooks was coming of age in the comedy world (see: Sid Caesar). Brooks is just one step closer to the Old Country traditions than most people, and clearly he has never lost sight of them.

There is a reason that most Jews can recite quotes from Mel Brooks. He embodies the idea of Jewish humor: every dark place can be conquered with a good joke. The Jewish experience has always been an uncertain one, and I believe this is where all of the great Jewish comedy truly stems from. In “Blazing Saddles,” Brooks laughs in the faces of racists. In “The Producers,” he makes the Nazis look like absolute fools. In “History of the World: Part I,” he turned the Inquisition into a giant musical number. Making fun of evil is a great way to make evil less frightening.

Mel Brooks is what I think of whenever I think of the idea of an old Jewish man. He seems like the kind of person who you would see at a deli and then he would pull you over to the side and chew your ear off for hours with hilarious stories from the past. Now, if I ever were to run into Mel Brooks at Katz’s or Canter’s and he were to be so generous, I would immediately cancel all of my plans for the day, and then shut up and listen.

Fun Fact: Mel Brooks has also produced many serious films in his career. Among them are David Cronenberg’s “The Fly” and David Lynch’s “The Elephant Man.”

Come back to The Reel Deal tomorrow night for Jew #2. 

Eight Nights of Hanukkah, Eight Nights of Movies: Night #8

Spaceballs


Unfortunately, the end of Hanukkah has arrived. But even as you prepare to put the menorah away, there is still one more night worth of a movie left. And what better way to end Hanukkah than with a movie by Mel Brooks, the master of Jewish humor, and of randomly inserting Yiddish jokes into his work.

“Spaceballs” isn’t even the funniest Mel Brooks movie; that honor goes to “Blazing Saddles.” It isn’t the even the smartest; that honor goes to “The Producers.” It doesn’t even have the best Jewish joke; that honor goes to the Jews with Space joke in “History of the World: Part 1.” However, “Spaceballs” just seems like the perfect movie to recommend, maybe because for some time, it was the funniest movie I had ever seen.

“Spaceballs” satirizes both the “Star Wars” movies, and the general way movies were made in the 1980s. Darth Helmet’s (Rick Moranis) ridiculously gigantic helmet is hilarious enough, but the self-referential nature of “Spaceballs” is what helps to make it a minor work of genius. There is one scene where the characters watch themselves watching “Spaceballs.” Most notably though is the scene where the Yoda-spinoff Yogurt (Brooks) explains the concept of merchandising. Its a hilarious and spot-on scene that should be shown in every film business or marketing class. As a kid, I would really have loved to have Spaceballs the Lunchbox, though.

“Spaceballs” remains a standout, and could teach those supposed movie satires made nowadays (I’m looking at you, Seltzer-Friedberg) a thing or two. My only problem with this movie is that if Princess Vespa (Daphne Zuniga) is a Druish princess, who once had a huge nose pre-plastic surgery, then why do her and Lone Star (Bill Pullman) get married in a Church? I guess it’s just as Barf (John Candy) says: “funny, she doesn’t look Druish.”

Watch this clip, and learn a thing or two about merchandising: http://www.youtube.com/watch?v=xvmZ9SPcTzU