Category Archives: Can’t We All Just Get Along

Can’t We All Just Get Along: Truth in Film

Can’t We All Just Get Along is a segment in which I take a hot button issue in the entertainment world and try my best to see both sides through, and then try even harder to pick a side. 

In the past, an acclaimed box office hit had at least a few months of a grace period before the backlash set in. Now, all it takes is a few hours.

When somebody wants to pick a film apart but doesn’t have any actual problems with its writing, directing, acting, editing, etc., then the next logical step is to attack its plausibility. Over the past two weeks, the two biggest hits at the box office, “Gravity” and “Captain Phillips,” have come under fire mainly from people who don’t work in or write about film.

This whole kerkuffle began the same day that “Gravity” was crowned box office king. Astrophysicist and generally awesome human being Neil deGrasse Tyson sent out a series of Tweets criticizing the scientific accuracy of “Gravity.” His comments came under fire because how dare he know real science. And where was he when “Jimmy Neutron” came out? Somebody needed to tell the world that human children can’t actually breath in space without a suit.


Anyway, these comments struck a nerve in “Gravity” fans across the globe, including me, who just want to live in a world where “Gravity” is absolutely perfect. However, while these Tweets can be seen as critical, I don’t think Tyson was saying that “Gravity” is bad. Rather, he is an astrophysicist who is used to looking at real space so clearly his mind can’t go in any other direction. There is a difference between saying a movie is inaccurate and saying that a movie is bad.

There is a little disclaimer that Tyson should have added: sometimes a movie needs to embrace inaccuracy in order to tell a good story. “Gravity” might not have been the same movie had they taken the time to explore how far communications would actually reach in space. “Gravity” is not a documentary and never pretends to be. Movies are really more about emotion over logic. “Gravity” is supposed to simulate the feeling of being in space, not necessarily the actual experience. A planetarium is meant to show you what space actually looks like. A movie like “Gravity” is more importantly about the fear of free floating through an infinite universe.

From now on, movies should be defined by truthiness as opposed to truth. Which brings me next to “Captain Phillips,” which is even more complex than “Gravity” when it comes to the truth. “Captain Phillips” has been praised for its realism. Its status as a “realistic action thriller” was compromised on Monday when a bunch of members from Captain Phillips’ real crew took to the New York Post (a.k.a. the world’s best headline creator) to refute the film’s portrayal of the events. They allege that the real Captain Phillips had a reputation for being “sullen and self-righteous.” They also claim that he endangered them by bringing the ship so close to the Somali shore and that he didn’t follow safety protocol as closely as the film believes he does.

The crew members case against Waterman Steamship Corp. is still under way, so the honesty of their claims is still up in the air. If these accusations are true, it definitely spells trouble for “Captain Phillips.” There are some films that can get away with skewing history because the changes are so drastic that they are clearly intentional (see: “Inglourious Basterds,” “The Social Network”). However, “Captain Phillips” landed in a pickle because it presents itself as a completely matter-of-fact portrayal of history. Paul Greengrass’ reputation for realism proceeded him (see: “United 93″). It was his duty as a director, as well as the writer who adapted Richard Phillips’ book, to do some extra research.

Then, there is the case where the inaccuracies, whether intentional or not, actually benefit the film. “Captain Phillips” might have been a more interesting movie had they shown Phillips having to overcome his arrogance for the sake of his crew. It is definitely more layered than the Phillips scene in the movie, who is portrayed simply as a genuine working class guy. The Richard Phillips of “Captain Phillips” is a man who always follows the books and is always over-prepared. The film shows that there are certain things that no amount of preparedness can actually fully prepare you for. Apparently, the real life Captain Phillips was aware of this.

Here’s the real issue: had “Captain Phillips” followed the actual events moment-by-moment, then it might not have been as enthralling. Movies are not meant to represent a whole truth, so in cases like these, its helpful to separate the truth from good storytelling. Factual errors are worse when they seem like they could have been avoided. This isn’t a “Braveheart” situation where every inaccuracy could have been fixed. They even got the the use of kilts wrong and while taking kilts out would have prevented the scene where the Scots moon all of the English soldiers, I think I speak for most people when I say that I could have done without that.

Overall, it is impossible to portray reality 100% accurately. There are just so many moving parts that we don’t even know are out there. “Gravity” should be rewarded for at least bothering to do research and “Captain Phillips” should be praised for actually giving the Somalis a voice. There are so many other movies out there right now that get it all wrong that nobody is even talking about. While it is necessary to keep all media in check, it seems like these two movies are being very specifically singled out. They both have been making a lot of money. Basically if you want to make a lot of money in Hollywood, then you’ve also got to prepare to be picked apart.

Can’t We All Just Get Along: Texting in Theaters

Nobody knows how to act out emotions like a stock photo model.

Can’t We All Just Get Along is a new segment in which I take a hot button issue in the entertainment world and try my best to see both sides through, and then try even harder to pick a side. 

Let’s face it: the traditional film viewing experience is in trouble. Who wants to pay $15 to be quiet in a dark room with strangers for two plus hours when you could be sitting at home in your underwear sending SnapChats of Instagrams of your cats reenacting the opening of “Raiders of the Lost Ark”?

Ever since cell phones became readily available for the masses, it has been difficult to power them down. This has been an especially big problem for movie theaters, an environment that requires absolute silence (besides laughs or screams) and attention. Yet, people take no issue sending out that text or finishing that level of Candy Crush that just can’t wait. People have no problem turning off their phones on an airplane, but I guess the threat of crashing is scarier than the threat of not being able to hear what Brad Pitt just said.
It seems that this whole problem pops in and out of the news every few weeks, but this week there was an especially interesting development. At a screening at the Toronto International Film Festival earlier this week, blogger Alex Billington called 911 on a man who was on his phone during a movie, because he was afraid that the man might be pirating the movie. However, no such pirating was happening, as the man was just sending a text message. Now, this story is a little extreme, and the idea of somebody making a citizens arrest in a movie theater is ripe for parody. Come on Alex, couldn’t you have just checked whether he was recording or not?

Yes, these actions were rash. But I’m happy to see that this is still an issue. People have varying opinions on this, but few things can be more distracting during a movie than a bright screen suddenly going off in your face. Even if it isn’t making any noise, the light itself is enough to immediately take you out of the world you’re trying to immerse yourself into. I like to turn off my phone once a movie starts. I’ll even turn it off before the trailers start because even the trailers can be fun to watch. Let me clarify: I do not think I am better than anyone else because I do this. I’ll admit that I will not hesitate to answer a text when watching a movie at home. Likewise, the people who text during movies probably aren’t trying to ruin your viewing experience. We’ve become so spoiled with technology that it’s easy to forget the beauty of the single screen experience.

It seems that no matter how many signs and warnings a theater puts up, it is impossible to enforce the “No Cell Phones” rule. Of the few live theater shows I’ve been to in the past few years on and off Broadway, I’ve never seen a single person turn on their phone during the performance. How often do you even hear about disturbances with phones in live theater? Maybe it’s because at live theater, the entertainment is actually in the flesh right in front of you. Meanwhile, none of the shiny faces on screen are present to judge you when you send a text message.* Ever since the advent of the Nickelodeons, movie theaters have always been an experience made for the largest possible audience. While movie tickets are not cheap today, they’re still much cheaper than a Broadway show. If you’re paying over $100 for a ticket, then why would you want to distract yourself from what you paid for?

Something that we all tend to forget is that keeping your phone on during a movie ruins the true purpose of going to see a movie in theaters: escapism. Every movie, even the most socially aware drama, is a form of escapism. Being at home can be a distraction. A theater should be the perfect setting, a portal, into the world that any given movie is trying to send you into. Once you’re distracted by the outside world, the purpose of being there in the first place completely disappears.

I believe that the way to stop this epidemic (I know, I know, there are real problems in the world) is to transform the movie theater experience. Tapping your neighbor on the shoulder doesn’t help much, and it creates another distraction entirely. Currently, the mainstream movie theater is something of a homogenized place. Growing up in the suburbs, I was used to movie theaters that resembled shopping malls rather than outlets for art and entertainment. These huge, plain places aim to please everyone and like most things that try to please everyone ultimately please nobody. In this regard, the film industry could learn something from TV, which is currently kicking film’s butt in terms of quality.

Nowadays, there seems to be both a TV show and a network for every niche. So, there should also be different types of movie theater experiences to match different people’s wants and desires. Some people have called for separate theaters that allows cell phones and laptops in, so people who want to multitask can bond in distraction. This kind of sounds like a way to turn a movie theater into a living room, but that’s not necessarily a bad thing. A texting-only theater will allow people who just want to watch the movie to then have their own place, so long as these rules could actually be enforced.

The theater experience should be even more unique and focused in than just this. Midnight screenings allow space for people to actively participate in movies they love. Places like the Alamo Drafthouse flourish because they focus so much on making the moviegoing experience more pleasant, from prohibiting talking and texting to providing beer and food. Everybody is so compartmentalized nowadays, why not allow places where people can enjoy a movie with strangers that want to be in the same compartment as them?

I don’t truly know what the right answer is here. Until my movie theater utopia comes about**, just turn off your phone. That’s all. You’ll be amazed by how good it feels to be in a different world uninterrupted for two hours, a world that doesn’t involve texts from your friend Chuck about the pre-game later tonight.

PS. Just a thought for people who complain about food prices at theaters: you don’t have to buy the food, no matter how tempting the popcorn smells. Do as I was taught to do as a young Jewish child: microwave popcorn before you go into the movie, and then hide the bag in your sister’s purse.

*Then again, this doesn’t stop people from taking out their phones at Comedy Clubs. #FreeMichaelRichards

**Also in this utopian society: dog waiters, ninja congressmen