Category Archives: Paul Greengrass

Can’t We All Just Get Along: Truth in Film

Can’t We All Just Get Along is a segment in which I take a hot button issue in the entertainment world and try my best to see both sides through, and then try even harder to pick a side. 

In the past, an acclaimed box office hit had at least a few months of a grace period before the backlash set in. Now, all it takes is a few hours.

When somebody wants to pick a film apart but doesn’t have any actual problems with its writing, directing, acting, editing, etc., then the next logical step is to attack its plausibility. Over the past two weeks, the two biggest hits at the box office, “Gravity” and “Captain Phillips,” have come under fire mainly from people who don’t work in or write about film.

This whole kerkuffle began the same day that “Gravity” was crowned box office king. Astrophysicist and generally awesome human being Neil deGrasse Tyson sent out a series of Tweets criticizing the scientific accuracy of “Gravity.” His comments came under fire because how dare he know real science. And where was he when “Jimmy Neutron” came out? Somebody needed to tell the world that human children can’t actually breath in space without a suit.


Anyway, these comments struck a nerve in “Gravity” fans across the globe, including me, who just want to live in a world where “Gravity” is absolutely perfect. However, while these Tweets can be seen as critical, I don’t think Tyson was saying that “Gravity” is bad. Rather, he is an astrophysicist who is used to looking at real space so clearly his mind can’t go in any other direction. There is a difference between saying a movie is inaccurate and saying that a movie is bad.

There is a little disclaimer that Tyson should have added: sometimes a movie needs to embrace inaccuracy in order to tell a good story. “Gravity” might not have been the same movie had they taken the time to explore how far communications would actually reach in space. “Gravity” is not a documentary and never pretends to be. Movies are really more about emotion over logic. “Gravity” is supposed to simulate the feeling of being in space, not necessarily the actual experience. A planetarium is meant to show you what space actually looks like. A movie like “Gravity” is more importantly about the fear of free floating through an infinite universe.

From now on, movies should be defined by truthiness as opposed to truth. Which brings me next to “Captain Phillips,” which is even more complex than “Gravity” when it comes to the truth. “Captain Phillips” has been praised for its realism. Its status as a “realistic action thriller” was compromised on Monday when a bunch of members from Captain Phillips’ real crew took to the New York Post (a.k.a. the world’s best headline creator) to refute the film’s portrayal of the events. They allege that the real Captain Phillips had a reputation for being “sullen and self-righteous.” They also claim that he endangered them by bringing the ship so close to the Somali shore and that he didn’t follow safety protocol as closely as the film believes he does.

The crew members case against Waterman Steamship Corp. is still under way, so the honesty of their claims is still up in the air. If these accusations are true, it definitely spells trouble for “Captain Phillips.” There are some films that can get away with skewing history because the changes are so drastic that they are clearly intentional (see: “Inglourious Basterds,” “The Social Network”). However, “Captain Phillips” landed in a pickle because it presents itself as a completely matter-of-fact portrayal of history. Paul Greengrass’ reputation for realism proceeded him (see: “United 93″). It was his duty as a director, as well as the writer who adapted Richard Phillips’ book, to do some extra research.

Then, there is the case where the inaccuracies, whether intentional or not, actually benefit the film. “Captain Phillips” might have been a more interesting movie had they shown Phillips having to overcome his arrogance for the sake of his crew. It is definitely more layered than the Phillips scene in the movie, who is portrayed simply as a genuine working class guy. The Richard Phillips of “Captain Phillips” is a man who always follows the books and is always over-prepared. The film shows that there are certain things that no amount of preparedness can actually fully prepare you for. Apparently, the real life Captain Phillips was aware of this.

Here’s the real issue: had “Captain Phillips” followed the actual events moment-by-moment, then it might not have been as enthralling. Movies are not meant to represent a whole truth, so in cases like these, its helpful to separate the truth from good storytelling. Factual errors are worse when they seem like they could have been avoided. This isn’t a “Braveheart” situation where every inaccuracy could have been fixed. They even got the the use of kilts wrong and while taking kilts out would have prevented the scene where the Scots moon all of the English soldiers, I think I speak for most people when I say that I could have done without that.

Overall, it is impossible to portray reality 100% accurately. There are just so many moving parts that we don’t even know are out there. “Gravity” should be rewarded for at least bothering to do research and “Captain Phillips” should be praised for actually giving the Somalis a voice. There are so many other movies out there right now that get it all wrong that nobody is even talking about. While it is necessary to keep all media in check, it seems like these two movies are being very specifically singled out. They both have been making a lot of money. Basically if you want to make a lot of money in Hollywood, then you’ve also got to prepare to be picked apart.

Movie Review: Captain Phillips

People praise Paul Greengrass for his sharp action directing and quick cuts. What he rarely gets credit for is that he is the rare action director who realizes that there is no way to be prepared for tragedy. This is why “Captain Phillips” doesn’t start on a boat.

It’s just another day, and just another mission for Captain Richard Phillips (Tom Hanks), who’s preparing for umpteenth mission as captain at sea. He drives with his wife (Catherine Keener) to the airport and talk about anything but his trip. They talk about their children and lament about how lazy good for nothing punk kids are today.

The trip seems simple enough, like something he’s been doing for years. The ship he’s commanding is meant to bring supplies around the horn of Africa, which, if you didn’t already know this, is not the friendliest place in the world. Nonetheless, a job is a job and Captain Phillips is the definition of salt of the earth. However, what Phillips is about to find out is that this isn’t like any other job he’s had. Captain Phillips is about to get his mojo back.


Despite its title, “Captain Phillips” is about more than its captain. Remember, there are also Somali pirates here, and we get a rare glimpse at their fractured homeland. The pirates, who are just teenagers, have a demanding warlord to report to. Greengrass isn’t trying to turn America’s enemies into one-dimensional villains. He also isn’t trying to make them look heroic. Rather, he wants to show that there are circumstances beyond simple greed that lead people to a life of crime.

I feel like an old Jewish man could probably turn this into a joke: how does a Somali pirate in a giant boat board a giant freighter? He uses a ladder. Seriously, all it takes for the pirates to get on board the ship is a single ladder that you could probably buy at Home Depot. Once the pirates climb up the ladder onto the boat, the whole film becomes a ticking time bomb. Greengrass is always so cognizant of time and how to use it to build dread. When a character threatens “one minute” until he starts shooting the place up, every millisecond of that minute feels like a frightening eternity. Also, space is so well utilized here, whether it be a boiler room on a freighter or a crammed lifeboat. In “Captain Phillips,” claustrophobia is the name of the game.

One problem people might have with “Captain Phillips” is that the pirates aren’t very scary, which I think is exactly the point. These are not professional criminals, but rather a bunch of teens who are forced to grow up too fast. The scrawny Muse (Barkhad Abdi) gets mercilessly picked on by everyone but once he boards the freighter, he is the leader. Or as he says (and now I can’t stop saying to everyone I know), “I am the captain now.” I get a sense that if Muse were a typical American high schooler, he’d probably have a rough few years followed by a great time in college.

“Captain Phillips” marks a return to form for Tom Hanks, who serves here as both a father figure and a working class badass. Maybe the most distracting part about his performance is that it feels a little bit like a half-assed New England accent. He sounds just like a much nicer Mark Wahlberg. This is some of the graceful screaming that Tom Hanks has done since “Cast Away.” Honestly, I’m surprised that there wasn’t a single scene where Wilson popped out of the water. I guess Greengrass ain’t about those easter eggs.

While Greengrass is a master at realism and capturing real time, the slight problems in “Captain Phillips” comes when it feels too much like a movie and not enough like real life. Certain snippets of dialogue should have come with giant flashing letter exclaiming “THEME!” at the bottom of the screen. While the freighter and Somali characters are all very unique, the film enters vanilla territory once the military intervenes. Mainly, there’s a lot of Marines yelling “Alpha! Charlie!” at each other for a really long time.

Regardless, “Captain Phillips” is the kind of action movie that can only be released around Oscar season because it actually has a soul.

Additional Notes:

  • How is it that none of these pirates never need to use the bathroom? I know this doesn’t seem like an important question but seriously, you can’t go that long without peeing or pooping. Just science.
  • If you’ve seen “The Book of Mormon” and that ruined your perception of African warlords, then you’re not alone. 
  • Now, I kind of wish this movie was a “Book of Mormon” style musical. If Matt Stone and Trey Parker wrote this, hopefully this lyric would exist: “I am a captain. And a captain just believes.” 
  • Speaking of which, there was also a great “South Park” episode about this event.
  • It took me a really long time to remind myself that this wasn’t “Gravity” and that no other movie I will see in theaters is “Gravity.” 
  • I was looking back at my notes for the movie and found that I kept writing “Skinny Pete” over and over again. I think Muse reminded me of Skinny Pete because…they’re both skinny. Guys, my “Breaking Bad” is getting bad.
  • I also wrote the word “prepared” in my notes at least five times.
  • “Captain Phillips” is best if you know as little as possible about the true story it is based off of. 
  • I love how many rainbows you seem every time water bursts out of the boat. Just a really cool effect. 
  • If Robert Zemekis wrote this, then Tom Hanks and all the pirates would be in mo-cap and I would be really creeped out.
  • If Michael Bay wrote this, somebody would put sunglasses on every time something loudly and violently blew up. Also, no one would look back at the explosions. Because science. 
  • I also wrote “sitcom” in my notes. I’m not sure why. I guess I thought it would be funny if there was a sitcom where Tom Hanks and a Somali pirate moved into an apartment together. Guys, I’m dumb. 
  • Another thing from my notes: “Fonzi.” It comes from a scene where Phillips is combing his hair goatee in the mirror. Well, I mean, Tom Hanks is a really cool guy.
  • The Somali pirates call Phillips “Irish.” I am sick of this stereotyping, people. Just because you’re white and from New England, it doesn’t mean you’re Irish, dammit!